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	<title>Comments on: Dynamics for Singers 101: What do forte and piano REALLY mean to the voice?</title>
	<atom:link href="http://rachelvelarde.com/2010/01/17/dynamics-for-singers-101-what-do-forte-and-piano-really-mean-to-the-voice/feed/" rel="self" type="application/rss+xml" />
	<link>http://rachelvelarde.com/2010/01/17/dynamics-for-singers-101-what-do-forte-and-piano-really-mean-to-the-voice/</link>
	<description>Lyric Mezzo-Soprano</description>
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		<title>By: Rachel</title>
		<link>http://rachelvelarde.com/2010/01/17/dynamics-for-singers-101-what-do-forte-and-piano-really-mean-to-the-voice/comment-page-1/#comment-125</link>
		<dc:creator>Rachel</dc:creator>
		<pubDate>Mon, 18 Jan 2010 05:29:25 +0000</pubDate>
		<guid isPermaLink="false">http://rachelvelarde.com/?p=521#comment-125</guid>
		<description>Thanks Gretchen!! :-)</description>
		<content:encoded><![CDATA[<p>Thanks Gretchen!! <img src='http://rachelvelarde.com/wp-includes/images/smilies/icon_smile.gif' alt=':-)' class='wp-smiley' /> </p>
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		<title>By: Rachel</title>
		<link>http://rachelvelarde.com/2010/01/17/dynamics-for-singers-101-what-do-forte-and-piano-really-mean-to-the-voice/comment-page-1/#comment-124</link>
		<dc:creator>Rachel</dc:creator>
		<pubDate>Mon, 18 Jan 2010 05:27:52 +0000</pubDate>
		<guid isPermaLink="false">http://rachelvelarde.com/?p=521#comment-124</guid>
		<description>Ian &amp; Robert - 
Thanks so much for your comments!  This is something I&#039;ve been thinking a lot about, and since I teach a large number of younger/beginning singers, I&#039;ve developed language to talk about the voice in a way that&#039;s strongly pedagogically based, but is, hopefully, accessible to a wide audience.  Spread the word!  I&#039;m also trying to post much more frequently - one of my New Year&#039;s Resolutions.  So, more to come!</description>
		<content:encoded><![CDATA[<p>Ian &amp; Robert &#8211;<br />
Thanks so much for your comments!  This is something I&#8217;ve been thinking a lot about, and since I teach a large number of younger/beginning singers, I&#8217;ve developed language to talk about the voice in a way that&#8217;s strongly pedagogically based, but is, hopefully, accessible to a wide audience.  Spread the word!  I&#8217;m also trying to post much more frequently &#8211; one of my New Year&#8217;s Resolutions.  So, more to come!</p>
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		<title>By: Gretchen Saathoff</title>
		<link>http://rachelvelarde.com/2010/01/17/dynamics-for-singers-101-what-do-forte-and-piano-really-mean-to-the-voice/comment-page-1/#comment-123</link>
		<dc:creator>Gretchen Saathoff</dc:creator>
		<pubDate>Mon, 18 Jan 2010 02:32:33 +0000</pubDate>
		<guid isPermaLink="false">http://rachelvelarde.com/?p=521#comment-123</guid>
		<description>Excellent considerations, Rachel!</description>
		<content:encoded><![CDATA[<p>Excellent considerations, Rachel!</p>
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		<title>By: Tweets that mention Rachel Velarde, Lyric Mezzo-Soprano » Dynamics for Singers 101: What do forte and piano REALLY mean to the voice? -- Topsy.com</title>
		<link>http://rachelvelarde.com/2010/01/17/dynamics-for-singers-101-what-do-forte-and-piano-really-mean-to-the-voice/comment-page-1/#comment-122</link>
		<dc:creator>Tweets that mention Rachel Velarde, Lyric Mezzo-Soprano » Dynamics for Singers 101: What do forte and piano REALLY mean to the voice? -- Topsy.com</dc:creator>
		<pubDate>Mon, 18 Jan 2010 02:10:11 +0000</pubDate>
		<guid isPermaLink="false">http://rachelvelarde.com/?p=521#comment-122</guid>
		<description>[...] This post was mentioned on Twitter by chopin_slut, Rachel Day Velarde. Rachel Day Velarde said: Please comment on my new blog post: &quot;Dynamics for Singers 101&quot; http://bit.ly/90aa9P Thanks!! [...]</description>
		<content:encoded><![CDATA[<p>[...] This post was mentioned on Twitter by chopin_slut, Rachel Day Velarde. Rachel Day Velarde said: Please comment on my new blog post: &quot;Dynamics for Singers 101&quot; <a href="http://bit.ly/90aa9P" rel="nofollow">http://bit.ly/90aa9P</a> Thanks!! [...]</p>
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		<title>By: robert phillips</title>
		<link>http://rachelvelarde.com/2010/01/17/dynamics-for-singers-101-what-do-forte-and-piano-really-mean-to-the-voice/comment-page-1/#comment-121</link>
		<dc:creator>robert phillips</dc:creator>
		<pubDate>Mon, 18 Jan 2010 02:08:28 +0000</pubDate>
		<guid isPermaLink="false">http://rachelvelarde.com/?p=521#comment-121</guid>
		<description>Excellent! All musicians should read. Especially pianists. Understanding the dynamics and physiology of voice helps those of us who play percussion instruments.

%%robert aka @chopin_slut</description>
		<content:encoded><![CDATA[<p>Excellent! All musicians should read. Especially pianists. Understanding the dynamics and physiology of voice helps those of us who play percussion instruments.</p>
<p>%%robert aka @chopin_slut</p>
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		<title>By: Ian</title>
		<link>http://rachelvelarde.com/2010/01/17/dynamics-for-singers-101-what-do-forte-and-piano-really-mean-to-the-voice/comment-page-1/#comment-120</link>
		<dc:creator>Ian</dc:creator>
		<pubDate>Sun, 17 Jan 2010 21:27:45 +0000</pubDate>
		<guid isPermaLink="false">http://rachelvelarde.com/?p=521#comment-120</guid>
		<description>Hi Rachel,

I totally agree that if we focus on volume then the effect is overblowing or under-energization. I love some of your images to counter this tendency, especially the difference between a group conversation vs a private conversation. 

What is helpful to me is to contrast &quot;dynamic&quot; with its antonym &quot;static&quot;. A voice can be static whether it&#039;s loud or soft. By focusing on the dynamic movement from loud to soft a singer can spend less time statically in any extreme. 

In this vein, the dynamic markings are just averages for a given section. After all, there is still some give and take even within a section called &quot;forte&quot;. It has to remain dynamic and changing.</description>
		<content:encoded><![CDATA[<p>Hi Rachel,</p>
<p>I totally agree that if we focus on volume then the effect is overblowing or under-energization. I love some of your images to counter this tendency, especially the difference between a group conversation vs a private conversation. </p>
<p>What is helpful to me is to contrast &#8220;dynamic&#8221; with its antonym &#8220;static&#8221;. A voice can be static whether it&#8217;s loud or soft. By focusing on the dynamic movement from loud to soft a singer can spend less time statically in any extreme. </p>
<p>In this vein, the dynamic markings are just averages for a given section. After all, there is still some give and take even within a section called &#8220;forte&#8221;. It has to remain dynamic and changing.</p>
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